Marie Triepcke Krøyer Alfvén, commonly known as Marie Krøyer, was born Maria Martha Mathilde Triepcke in Frederiksberg, Denmark to Wilhelm August Eduard Max and Minna Augusta Kindler Triepcke, who had immigrated to Denmark from Germany the previous year. Max Triepke worked as technical director for the J. H. Rubens Loomery. Maria enjoyed a comfortable, middle-class life growing up in the Triepcke home, along with her two brothers Wilhelm and Valdemar. A childhood schoolfriend, Ida Hirschsprung, brought Maria in social contact with Heinrich and Pauline Hirschsprung, Ida's aunt and uncle. Heinrich Hirschsprung, a prominent businessman who ran a successful tobacco manufacturing business, and was a patron of the arts. His art collection forms the basis of the Hirschsprung Collection in Copenhagen. Hirschsprung had a special interest in and was a financial supporter of Peder Severin Krøyer - who would marry Maria in 1889. Maria showed a great interest in art, and wanted to pursue training as a painter. It was very difficult in those days for women to come into art training, but she was talented, willful, independently minded and had the support of her parents. With those traits, and both her social and artistic connections, she was able to come in the private studios of Carl Thomsen and Kristian Zahrtmann for study in Copenhagen. She was helped along the way by Bertha Wegmann, a leading portrait artist of the day, for whom she modelled at 16 years of age, and Andreas Peter Weis, an employee of the Danish Ministry of Culture. In Paris she studied side by side with Anna Ancher at Pierre Puvis de Chavannes atelier. Anna Ancher, a fellow Dane and resident of Skagen, would be a lifelong friend. She studied also at the ateliers of Gustave Courtois and Alfred Philippe Roll. She debuted at Charlottenborg in 1888, and helped found Den frie Udstilling (The Free Exhibition) in 1891. Maria also became good friends with painters Harald Slott-Møller, and Agnes Rambusch (Agnes Slott-Møller), his future wife. Agnes would continue a lifetime of support and encouragement for Maria's artistic pursuits. Other friends with whom she maintained exhaustive correspondence include Georg Brandes, critic and scholar, whom she admired, and Sophus Schandorf, poet, who together with his wife treated Marie as their daughter throughout the years. Shortly after coming to Paris alone in December 1888, a daring adventure for a respectable young woman of those times, Maria ran into Krøyer at a café frequented by Nordic artists. Her beauty suddenly overwhelmed Krøyer, even though he had known her for a number of years. She sat as model for his painting "A Duet" (1887), studied at a studio which he oversaw, visited his studio and had met him socially on various occasions at the Hirschsprung home. After a whirlwind romance the couple married on 23 July 1889 at the Triepke's home in Augsburg, Germany (The Triepkes had been forced to move back to Germany in 1888 on account of the father's loss of employment). The transformation of the simple, young woman Maria into the elegant, sophisticated and often scandalous Marie, wife of one of Denmark's leading cultural figures had begun. The newlyweds traveled extensively in Germany, Italy, France and Denmark before settling in Skagen in 1891. They divided their time between homes in Skagen and Copenhagen, and continued to travel extensively throughout their marriage. Paris was a regular destination as Krøyer exhibited at the annual Salons. Although Marie's production of paintings was limited after marrying Krøyer, paintings and watercolors of hers can be seen at the Skagens Museum. Marie is also remembered for her portrayals in the many paintings in which Krøyer featured her. In addition to painting, and later as a replacement for it, she found creative outlet in designing the refined interiors of the several homes she and Krøyer created. She was inspired by the then fashionable Arts and Crafts movement. Her furniture designs would be used by Ulrik Plesner, a leading architect of the time, and original pieces are exhibited at the National Museum. Many of her friends in the rich, influential and fashionable circles would request her advice on the interior design of their homes. Marie and Krøyer had one child, Vibeke, who was born January, 1895. At the turn of the century Krøyer's health began deteriorating drastically, and he was frequently hospitalized for lengthy periods. His mental instability proved too much for their marriage, and Marie during a tour to Taormina, Sicily in 1902 met Hugo Alfvén, the Swedish composer, the man who would become her future husband. They had a passionate affair. Although Hugo frequently spent time in Skagen along with Marie, Krøyer was reluctant to divorce her. He finally succumbed when Marie became pregnant with Hugo's child, and their divorce was finalized in 1905. Marie and Hugo lived together several years before marrying, along with their daughter, Margita, at their home Alfvénsgaard in Tällberg Sweden, which she designed completely: the building, interior, furnishings and interior decoration. They married in 1912. Marie designed also the interior for their subsequent home Linneanum at Uppsala University, Uppsala, Sweden, where Hugo was director of music. She produced watercolors and drawings during her second marriage, as well as interior decorations. Marie and Hugo divorced in 1936. Marie died in Stockholm, Sweden on 25 May 1940. Siobhán Parkinson's novel Painted Ladies (2010) centres on the life of Marie Krøyer. Source: Wikipedia * * * Peder Severin Krøyer (Danish painter) 1851 - 1909 Peder Severin Krøyer known as P.S. Krøyer, is one of the best known and beloved, and undeniably the most colorful of the Skagen Painters, a community of Danish and Nordic artists who lived, gathered or worked in Skagen, Denmark, especially during the final decades of the 19th century. Krøyer was the unofficial leader of the group. Peder Severin Krøyer first came to Skagen in the summer of 1882. His enthusiasm for the countryside and environment, and not least the company of the other artists caused him to return almost every summer. In 1889, Krøyer married the artist Marie Triepcke. In 1894, the couple were permitted to rent and rebuild the old town recorder's residence in Skagen's Plantation – which is known today as Krøyer's House. The following year, Marie gave birth to their daughter, Vibeke. She stayed with her father in Skagen when Marie and Krøyer were divorced in 1906. Krøyer was already a famous artist when he first came to Skagen, and his presence attracted attention to the artists' colony in Skagen. In the summer, many artists would gather to work and celebrate there – and many of the celebrations were held on the initiative of Krøyer, who thoroughly enjoyed conviviality. Krøyer is known and loved mostly for his pictures from Skagen. In the pictures, he portrays the carefree life of the artists, their festive meals, walks on the beach and evocative moonlit evenings. At the beginning of the 20th century, Krøyer was admitted to the insane asylum at Middelfart several times, probably suffering from a manic-depressive psychosis. The illness weakened his health, and he died at the age of 58 in November 1909. He was buried at Skagen Cemetery.